Overdrive

Used, in very good condition. Some cosmetic signs of regular use/pads on the back of the pedal, functions perfectly. 

Includes original box. 

From Benson:
We call this our Preamp because it is! The circuit is based on the our Chimera 30 watt guitar amplifier, but substitutes FET transistors for the vacuum tubes. The result is an extremely amp-like and versatile clean boost/overdrive/fuzz peda

From Benson: 

This pedal is based on our now famous amp-in-a-box Preamp pedal with one important tweak: the replacement of the first FET transistor with a germanium gain stage - stolen from our servo-biased Germanium Boost pedal which is ideal as a ver

NERD ALERT

When designing the temperature controlled fuzz, we tried some unusual approaches. One false start utilized a voltage controlled error correction circuit to bias a single germanium transistor. It ultimately didn’t work for the fuzz, which is

The ’59 Sound is based on the legendary 1959 Tweed Fender Bassman. The ’59 Sound captures the essence of that magical amplifier.

I've never really liked the sound of distorted Fender amps (this is Zack pontificating) except for my earliest amp, a blond

Used, in very good condition. Some light scratching on the enclosure, but overall in great shape and functions perfectly. Includes original box. 

The Voyager MKII is a mid-focused overdrive/preamp that contains all the mythical magic from the original Voyager and adds a wealth of features not seen before in a Klon-style pedal. From its lowest to highest settings, the Voyager provides a uniquely sup

The Voyager MKII is a mid-focused overdrive/preamp that contains all the mythical magic from the original Voyager and adds a wealth of features not seen before in a Klon-style pedal. From its lowest to highest settings, the Voyager provides a uniquely sup

This pedal delivers clarity, expressive dynamics, and rich harmonics—all perfectly tailored for Yngwie Malmsteen's light-speed arpeggios, expressive vibrato, and big, bold riffs.

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This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.