Effects Pedals

Psycho multimode filter with an ultra-sleek, laser-etched enclosure. Its medical-grade IC chip creates a hyper-precise filter that sounds like no other. With high pass, band pass, and low pass modes, as well as two types of screaming resonance, the Evil F

Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill all circuit explodes the meanest, nastiest, most insane distortion to make you the r

The Germanium Filter is a larger-than-life sounding Distortion/Filter pedal utilizing obsolete Germanium transistors to create its vintage sound. Simple controls range from clean to dirty and heavy to high.

Similar to the thick and gooey sound of the Echo Dream 2, the MICRO DREAM is streamlined and compact, with a slightly more grainy, decayed delay sound. Sounds pleasnatly demented with fuzz or into an overdriven amp. Set the internal trimpot to adjust the

The sound of the original cult classic fuzzer is back by popular demand. Now you can get the same huge sound as the Harmonic Transformer in a smaller 2.5" x 4.75", pedalboard-friendly pedal. Inter-modulate your sound and unleash ringing, raging fuzz on th

The Octave Clang Returns. A redesigned version of the classic, out-of-production Death By Audio fuzz with intense tone control and unique analog octave up. It features an insane, unique footswitch-able octave generation with super wide-ranging distortion

From DBA:
The original synthetic atmosphere creator. The Reverberation Machine offers up drippy, saturated spring reverbs and cavernous expanses in one small package. Push the Altitude and hear the reverb blasted with gloom and distorted shimmer for the

ROOMS is a stereo, multi function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind.

ROOMS was designed to the highest st

The Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out, utilizing specially matched transistors turned backwards to get its bombastic sound. The exact positions of the knobs yield completely different sounds, ranging from

The Space Bender from Death By Audio is a modulated delay that sounds like it originated from the nearest black hole. 

The Supersonic Fuzz Gun is a completely unique take on a fuzz pedal made with extremes of manipulation in mind. The controls interact with one another to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can implode

The TSA2 works on a simple premise: what if effect pedals were patched back into themselves? What does it sound like for a filter to be multiplied by infinity? Or if your modulator was modulating its own modulations? The TSA2 creates a controllable feedba