Effects Pedals

Playing with the Way Huge Stone Burner Sub Atomic Fuzz is like playing with molten lava—it’s all fun and games until somebody gets scorched. But that’s the whole point with this dastardly little box.

The Way Huge Smalls Stone Burner Sub Atomic Fuzz wil

The Supa-Lead Overdrive is a dynamic and touch sensitive overdrive pedal that cleans up immediately as you lower the guitar volume control. Designed to get amp-like crunch tones from a clean or slightly dirty amp, it produces a focused midrange grind with

The Way Huge Smalls Swollen Pickle Jumbo Fuzz concentrates all the potent flavors of its predecessors into a super pedalboard-friendly housing with a simpler interface so that you can plug in and serve up savory saturation in no time at all.

The Swollen Pickle Jumbo Fuzz MkIIS serves up the same burly high gain fuzz as the full-sized MkII but in a more petite package. With a twist of the Sustain control, you're taken from mild crunch to Armageddon! The Filter control retains its trademark ins

Handwired in the Custom Workshops in Doncaster, England, the WEM CCB-1 is a recreation of the preamp section of the famous WEM Copicat tape echo unit. These British made tape echos were a popular alternative to rarer American models and can be heard acr

From Zvex: This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.

Special Razzle Dazzle Finish! 

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, rippi

Special "Razzle Dazzle" Finish!
This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky™ in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled

This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky™ in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a

The ’59 Sound is based on the legendary 1959 Tweed Fender Bassman. The ’59 Sound captures the essence of that magical amplifier.

I've never really liked the sound of distorted Fender amps (this is Zack pontificating) except for my earliest amp, a blond

This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.